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Nexus Studios - 'Drawn Closer' written & directed by Patrick Osborne (Premiere Special)
⏲ 15 min 18 sec ✓ 11-May-2021
You.
⏲ 4 min 84 sec ✓ 13-Oct-2014
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⏲ 1 min 24 sec ✓ 27-Jan-2021
Samsung - Enter Fun Mode
⏲ 31 sec ✓ 28-Oct-2021
Lungo l'ALTA VIA DEI MONTI LIGURI di Enrico Pelos (2000)
⏲ 14 min 96 sec ✓ 29-Apr-2019
SKODA - SGA AD Film Contest Winner
⏲ 40 sec ✓ 06-Feb-2020
Giv Slip [Medina]
⏲ 2 min 5 sec ✓ 29-Oct-2014
Enseñando en la Unción del Espíritu - Sesión 3 - El Papel del Corazón en el Aprendizaje
⏲ 21 min 69 sec ✓ 21-Sep-2017
El más caro es amar
⏲ 2 min 23 sec ✓ 31-Jan-2011
trailer Ladhamba Tayem; Future Continuous ᤗᤠᤎᤠᤶᤒᤠ ᤋᤠᤕᤧᤶ
⏲ 1 min 53 sec ✓ 26-Nov-2023
The Multilingual and Multimedia Amazigh Berber Literary Space: Global Interactions and Research Questions
⏲ 26 min 53 sec ✓ 31-Mar-2021
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⏲ 2 min 0 sec ✓ 24-Dec-2020
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_nexus-studios-39drawn-closer39-written-amp-directed-by-patrick-osborne-premiere-special.webp "BRAND: COX COMMUNICATIONSnDirector, Brand Strategy & New Media: Rachel NegrettinVice President, Brand Strategy & Consumer Insights: Brian Stifel nSenior Vice President, Brand Strategy: Gaston VaneritnSenior Manager, Marketing: Brittany TynernSocial Media & Content Marketing: Roger JonesnnnAGENCY: 180LAnChief Creative Officer: Al MoseleynExecutive Creative Director: Mike BokmannGroup Creative Director: Jason RappaportnCopywriter: Emma Zakes Green, Amar MarwahanSenior Art Director: Eli")
_you.webp "It is what is is,")
_92.webp "Amar knows what it is to be an outcast. As a young boy, he was rejected by his community because of leprosy. Later, many years after being cured of leprosy, his wife divorced him when she discovered he once had leprosy.nnIn this video, Amar shares his personal story - and explains why the story of Jesus with the man with leprosy (Mark 1:40-45) means so much to him.")
_samsung-enter-fun-mode.webp "Executive Creative Directors: Eric Quennoy & Mark BernathnCreative Directors: Hannah Smit & Edouard OlhagaraynAssociate Creative Director: Emma MällinennCopywriters: Carlos Font Lorenzo & Tyler AndrenArt Directors: Pablo González de la Peña & Güney SoykannHead of Broadcast Production: Joe TognerinProducers: Endy Hedman, Ezra Xenos & Bethany PapenbrocknInteractive Producer: Alex SmithnManaging Director: Blake HarropnHead of Planning: Martin WeigelnPlanning Director: Thom D")
_lungo-l39alta-via-dei-monti-liguri-di-enrico-pelos-2000.webp "Tanto tempo è passato, e dai")
_skoda-sga-ad-film-contest-winner.webp "Production House : Clapout MedianDirection : Amar KeerthinCinematography : Nelson JosephnEdit & DI : Mark Joel")
_giv-slip-medina.webp "directed and photographed by AMAR Mahmoodnedit: Mark Balstrupnnlabel: Labelmade")
_enseando-en-la-uncin-del-espritu-sesin-3-el-papel-del-corazn-en-el-aprendizaje.webp "Introducción: Hacemos bien en enfocar nuestro entrenamiento en el corazón, pues el 95% de nuestros comportamientos se originan en las imágenes y creencias que tenemos en nuestros corazones (es decir, lo que un psicólogo llama el subconsciente). A. Dios se centra en el corazón y el espíritu 14 veces más que en la mente Hay 100 versos que incluyen a la “mente” y 1400 que incluyen al “corazón” o al “espíritu” (Versión en inglés). B. LO QUE DIOS HACE EN EL CORAZÓN n1. Dios pu")
_el-ms-caro-es-amar.webp "Cortometraje en 72 h para el festival l'endemà 2011 7a edición hecho por la productora Dare films. Grabado con la cámara 5d mark II.")
_trailer-ladhamba-tayem-future-continuous.webp "Ladhamba Tayem; Future Continuous ᤗᤠᤎᤠᤶᤒᤠ ᤋᤠᤕᤧᤶ borrows its name from verbal inflection that specifies time of action or state, where tayem is future and ladhamba is continuous in our indigenous Yakthung (Limbu) language. In line with my current practice, Adivasi Futurism (as I call it), It imagines futures where Indigenous peoples’ actions and existence will still be in the space-time continuum. This work imagines a conversation between two indigenous people from very")
_the-multilingual-and-multimedia-amazigh-berber-literary-space-global-interactions-and-research-questions.webp "The interaction of artistic productions with several languages, literary markets and media is crucial in the Amazigh/Berber literary space. Professor Daniela Merolla addresses contemporary directions in Amazigh oral/written narrative and cinematic works set against the historical and literary background of the Maghreb as well as of the Amazigh diaspora in Europe. Novels and short stories published by writers of Amazigh heritage in European languages will also be treated, looking at intersectiona")
_92.webp "Written, arranged, and mixed by Mark GalinovskynVideo edited by Soren BaileynnFeaturing (in alphabetical order)nLily Ali-OshatznDakota AmarnEli BaileynEmily BodkinnAnna BodzinnCliff CadetnNic CasaulanCalliope CastronNora ClarkenEllie FrancesnMark GalinovskynJane GarrettnMeredith HackettnMickey HellernMarcie HendersonnMaeve HogannGareth HogannMegan JonynasnShayna KlainbergnSari KlainbergnJordan ManginDionne McClain-FreeneynGina PembertonnMairead Sheehy-MossnLindsey SproulnJames Steinman-GordonnRy")
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