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hangsan Art Pottery - http:hangsan.co.kr
⏲ 4 min 64 sec ✓ 05-Mar-2013
EVENTIDE | 2016 - Trailer | BR-EN
⏲ 1 min 48 sec ✓ 21-Oct-2016
v.01 Exhibition @ Quad Derby 4th - 11th Feb
⏲ 89 sec ✓ 05-Feb-2012
Imua Garza and Custom Aaron Oya Tenor Ukulele - (UKULELE FRIEND: Studio Recordings)
⏲ 65 sec ✓ 01-Sep-2014
항산 임항택, Art Pottery Master craftsman, Lim Hang-Taek
⏲ 16 min 55 sec ✓ 06-Sep-2012
Alastair MacLennan and Sandra Johnston : Ash She He
⏲ 22 min 50 sec ✓ 22-Aug-2017
항산 임항택, Master craftsman, Lim Hang-Taek
⏲ 16 min 55 sec ✓ 24-Feb-2011
INSTINTOS DISTINTOS (Berlin Exhibition)
⏲ 30 sec ✓ 09-Jul-2016
The Luminous Synergy
⏲ 11 min 44 sec ✓ 05-May-2012
Martin Squires and the Brooklands McEvoy Shed
⏲ 1 min 20 sec ✓ 17-Nov-2016
SAHA: Cevdet Erek
⏲ 44 min 0 sec ✓ 16-Jan-2013
Craig Norton's \
⏲ 42 sec ✓ 26-May-2012
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_hangsan-art-pottery-http-hangsan-co-kr.webp "Development of Jinsa Pigment of Joseon White PorcelainnJinsa started to appear with designs like the brow of the decently standing crane, or the center of a petal leaf on the Goryo celadons in the middle of the 12th century. In the end of the 13th century when the Goryo dynasty began to decline, the tradition of Jinsa skill came to a halt. In the 17th century, after a long gap of 400 years, Jinsa began to be used again.nBut the number of porcelains decorated with Jinsa was scarce. Only in some f")
_eventide-124-2016-trailer-124-br-en.webp "EVENTIDE | 2016 - Trailer | BR-EN from art 12th result")
_v-01-exhibition-quad-derby-4th-11th-feb.webp "4th - 12th February 2012nLaunch: Saturday 4th February 6.30pm - latennv.01 is an interactive digital audio visual environment created especially for QUAD Gallery. nnMasterminded by TechsQUAD artists, working alongside the chromatic architect Aaron Bradbury, v.01 showcases an interactive audio and video installation that can be manipulated by you, the public. Via a sculptural control panel visitors are invited to create new compositions that use fully controllable large scale projections and orig")
_imua-garza-and-custom-aaron-oya-tenor-ukulele-ukulele-friend-studio-recordings.webp "Custom Aaron Oya Tenor Ukulele -")
_art-pottery-master-craftsman-lim-hang-taek.webp "Development of Jinsa Pigment of Joseon White PorcelainnJinsa started to appear with designs like the brow of the decently standing crane, or the center of a petal leaf on the Goryo celadons in the middle of the 12th century. In the end of the 13th century when the Goryo dynasty began to decline, the tradition of Jinsa skill came to a halt. In the 17th century, after a long gap of 400 years, Jinsa began to be used again.nBut the number of porcelains decorated with Jinsa was scarce. Only in some f")
_alastair-maclennan-and-sandra-johnston-ash-she-he.webp "Alastair MacLennan’s duo performance with Sandra Johnston: “Ash She He” 12th August 2017.nnAlastair MacLennan represented Ireland at the Venice Biennale, with inter-media work commemorating the names of all those who died as a result of the Political Troubles in Northern Ireland, from 1969 to then date (1997). During the 1970’s and ’80’s he made some long, non-stop performances in Britain, America and Canada, of up to 144 hours duration. Subject matter dealt with political, social an")
_master-craftsman-lim-hang-taek.webp "항산도예연구소nAbout Hangsan Art PotterynnDevelopment of Jinsa Pigment of Joseon White PorcelainnJinsa started to appear with designs like the brow of the decently standing crane, or the center of a petal leaf on the Goryo celadons in the middle of the 12th century. In the end of the 13th century when the Goryo dynasty began to decline, the tradition of Jinsa skill came to a halt. In the 17th century, after a long gap of 400 years, Jinsa began to be used again.nBut the number of porcelain")
_instintos-distintos-berlin-exhibition.webp "EXHIBITION | Opening Hours from the 10th to the 12th of July: 12:00 -15:00 h. nnThis is an exhibition of contemporary art created as a result of a workshop on cultural enterprise managed by Instituto Cervantes, La Red and GlogauAir Berlin. It is being carried out by a group of multidisciplinary artists with one purpose: to make visitors question the nature of certain impulses established as")
_the-luminous-synergy.webp "LUMINOUS SYNERGYnnSVJETLOVIR vs. HRUPOFONnnHuman Synergy Project vs. Lighting GuerrillannRecipe – Luminous SynergynnInto the pot of the 12th Sajeta creative camp (2011), mix the international crew of the HumannSynergy Project, add a part of the mostly Slovenian Lighting Guerrilla team, seasonnwith the Svjetlovir lighting instrument and add a pinch of Hrupofon.nLet it cook slowly for a while, then add a right dose of information on thenpractical use of the Earth's energy. After a few days of co")
_martin-squires-and-the-brooklands-mcevoy-shed.webp "On November 12th 2015 Martin Squires travelled to Brooklands to sketch the McEvoy shed in it’s entirety. To do this he used his scrolling sketchpad which enables him to sketch on location using pen and ink on large rolls of paper. The result of his trip wass a full rendering of the workshop capturing every detail of this period shed. nnThis artwork is now available as a limited edition signed print:nGiclée Print on Fine Art papernPrinted Area:78cm x 28cmnLimited edition of 36 nSigned and Numb")
_saha-cevdet-erek.webp "Cevdet Erek (1974, Istanbul): His work is characterised by a marked use of rhythm and site specificity. Erek combines video, sound and images, often in an attempt to alter the viewer’s perception and experience of a given space. The result functions as a hypothesis, probing the viewer’s instinctive logic and thus appealing to the senses. Erek manages to combine rational components such as references to architecture and linear time with instinctive impulses thereby levelling the gap between t")
_craig-norton39s-92.webp "Jim Kempner Fine Art is pleased to present Craig Norton’s second solo show at the gallery: Tim Came Home from the War and Isn’t Timmy Anymore, a confrontational narrative about the horrors of war and the struggles endured by soldiers upon return from battle. This narrative was created using Norton’s signature technique: a combination of expressive, photo-realistically drawn faces and hands with swaths and swirls of wallpaper collage. Three-dimensional wooden structures - walls, doors, cask")
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