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The single marks Kane and Mello’s second collaboration after the release of “One Thing Right” in 2019. “Mello texted me after one of my shows and he said, ‘Are you ready for part 2?’” Kane said of the new song. “I heard the song and we recorded it.”
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Our Yorkshire Post photographer have had a colourful month photographing Blossom Trees around the county, along with more blooms at Harrogate's Spring Flower show. We have been to Whitby for their April Goth Weekend, and also Leeds has a new Goth themed mural. We have photos of taxidermy hippos, and Yorkshire Vet Peter Wright in our gallery too. Air Museum open cock pit event and an abseiling vicar are among our collection along with artists such as Pete McKee.
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Well folks, it happened. As the world has watched the 2024 Oscar winners crowned in real-time, the performances of the nominees for “Best Original Song” have kept the Ken-ergy up and running. And when it came time for Ryan Gosling to sing Barbie’s “I’m Just Ken,” the reactions from Margot Robbie and Billie Eilish were so hysterical, that it was almost better than the performance. <br/><br/>Of course, their shocked and laughing faces mirrored what basically everyone was thinking before Gosling’s song and dance number at L.A.’s Dolby Theatre really got going. After Robbie, Greta Gerwig and Eilish's amazing reactions, the pink-suited singer took the stage with several of his co-Kens from the Barbie cast, including Kingsley Ben-Adir, Simu Liu, and Ncuti Gatwa, the Barbie theatrics really took off. And yes dear fans, the chant of “Can you feel the Ken-ergy?” was kept in the live show.
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watch here new HariHaraVeeraMallu Part 1 Sword vs Spirit - TeaserPawan KalyanMM KeeravaaniAM Rathnam. Do follow for watching next
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The-Great-Indian-Kapil-Show-2024-Aamir-Unlimited-S1Ep5-Episode-5-Hindi--hd-sample-[ from cartoon shows theme songs in hindi
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watch here new Madagascar Live Action Movie (2025) - First Trailer.DO follow for watching next
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Lady CEO Is Return 1
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‘Amar Singh Chamkila’ review: An off-key biopic of the iconic Punjabi singer.<br/>Amar Singh Chamkila - Full Movie | Diljit Dosanjh, Imtiaz Ali, A. R. Rahman, Irshad Kamil, Parineeti<br/>Imtiaz Ali’s Amar Singh Chamkila attempts to bottle the essence of a legendary Punjabi singer who evades easy categorisation. Murdered in 1988 at the age of 27 when he was at the height of his powers, Chamkila is an exemplar of the supernova who lives and dies for art.<br/><br/>Biopics on Chamkila have been previously announced and abandoned; at least one of them, starring Diljit Dosanjh, was completed but stalled by a lawsuit. Chamkila’s unsolved assassination shaped key plot points in Rohit Jugraj’s web series Chamak (2023). The difficulty of drawing definitive conclusions about Chamkila’s multi-faceted legacy led to Kabir Singh Chowdhry’s fascinating experimental docu-fiction Mehsampur (2018).Ali’s version, which is out on Netflix and is also led by Dosanjh, reaches for low-hanging fruit: who – or what – killed Chamkila?<br/><br/>The screenplay, by Imtiaz Ali and Sajid Ali, unfolds like a police procedural. Chamkila (Dosanjh) is gunned down along with his singer-wife Amarjot (Parineeti Chopra) soon after they arrive in Mehsampur for a concert. A police officer who dismisses the icon as a vulgarian learns about Chamkila’s hardscrabble background, overnight success, and the unwelcome attention he attracted for his bawdy, taboo-busting songs.I discovered the man who was born Dhani Ram, one man says. I gave him his stage name, another asserts. Inspired by the goings-on around him, Chamkila wields his tumbi like a magic wand, bewitching local listeners as well as the Punjabi diaspora. Yet, his fame cannot shield from him from the ire of militants, religious leaders and the police.<br/><br/>Dosanjh, Chopra, and a few other singers perform Chamkila’s original songs in Punjabi, with the Hindi translations appearing on the screen. AR Rahman’s Punjabi pop-inflected Hindi soundtrack is woven into the musical-like saga. (Punjab is called Panjab throughout the movie.)The hot-blooded account of a cold case includes animation, split screens and footage of the real Chamkila and Amarjot. There is enough archival material included in the film to make the heart yearn for a straight-up documentary.<br/><br/>The music video-level aesthetic creates enough momentum to distract from how mundane the movie turns out to be. Chowdhry’s Mehsampur suggested that the aura around Chamkila was too thick to penetrate, especially by filmmakers who had not breathed the same air as him. Ali is untrammelled by such concerns. Having bagged the rights to Chamkila’s music catalogue, and having recruited big-name talent, Ali sets out to Bollywoodise the folk performer.The biopic is fixated on the explicit lyrics that put Chamkila on the top of charts and hit lists. Ali’s recent projects similarly focus on sexual matters, including the shows She, about a repressed police constable, and Dr Arora, about a sexologist.
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Yorkshire clergyman Sabine Baring-Gould was a Victorian superstar who wrote Onward Christian Soldiers for a Whitsun Sunday School parade in his parish in 1865.<br/>But his incredible life was filled with other amazing achievements which have been largely forgotten, until now.<br/>A new touring show- about to get its official world premier in his former Wakefield parish of Horbury - will tell how he he was a top five best-selling novelist; the writer of what is still the go-to book on werewolves and inspired Bram Stoker to write Dracula.He was aaa storyteller of the Norse Myths of Iceland and even featured in a Sherlock Holmes novel as the detective’s godfather. <br/>In real life he married Horbury mill worker Grace Taylor, after educating her in society etiquette, inspiring George Bernard Shaw's  bestseller Pygmalion, which later became the Hollywood musical My Fair Lady.<br/>But the curate said the most important thing he ever did was to save a huge collection of folk songs from, Devon and Cornwall, where he was originally from.<br/> Some of those songs, interweaved with anecdotes from his own astonishing life and stories from his books willmark the centenary of his death in a new touring show called Ghosts, Werewolves and Countryfolk.<br/>It stars six-time BBC Folk Awards nominee Jim Causley and Miranda Sykes, of award-winning Show of Hands and Yorkshire-based Daphne’s Flight, and is narrated by John Palmer, director of the critically-acclaimed Vaughan Williams anniversary From Pub to Pulpit Cathedral tour.<br/>The premier will be at Horbury Working Members Club on Friday, May 17, 7pm to 9pm, beforeit goes on a 25-date national tour. For Horbury tickets visit https://www.eventbrite.co.uk/e/ghosts-werewolves-country-folk-songs-stories-of-sabine-baring-gould-tickets-863167335737?aff=ebdssbdestsearch<br/>For more about the 2024 Whit weekend events in Horbury visit https://horburychurch.com/activities/whitwalk/
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‘Shaitaan’ movie review: R Madhavan makes the mean monster shine opposite Ajay Devgn in this horror show.<br/>Backed by a poignant premise and powerful performances, director Vikas Bahl generates some genuine moments in eerie situations but surprisingly shows a straight bat in the slog overs.<br/>The film is a remake of the Gujarati horror film Vash (2023). Janki Bodiwala reprises her role from the original here. Kabir (Ajay Devgn) and Jyoti (Jyotika), along with their teenage daughter Jahnvi (Janki Bodiwala), and son Dhruv (Anngad Raaj) drive away to their remote farmhouse to spend some quality time. Their tranquillity shatters when a stranger. Vanraj Kashyap (R Madhavan), enters their world. He somehow takes complete control of Jyoti’s will and makes her a slave of sorts. She harms herself, almost kills her brother, slaps her father and fights with her mother. All this is brought out in visceral detail. The viewer is spared nothing. Kabir and Jyoti try vainly to get Janhvi to listen to them but to no avail. Things keep escalating. Vanraj wants to take away Janhvi but he would only do so with their explicit permission. We learn that he’s an evil tantrik who wants to take over the world. And must sacrifice a bevy of girls to do so. He succeeds in luring Janhvi away and now it’s up to Kabir to save her and other girls from being killed.<br/><br/>The film starts with a disclaimer that the film isn’t propagating superstition and then proceeds to do so for the next two hours. Vanraj equates himself to God, claims he can control anyone if he deems fit and indulges in the sort of mumbo jumbo even street magicians will steer clear off. The climax scene, which showcases mass hypnotism, features young girls all eager to throw themselves in a pyre. There’s no backstory as to why he’s become this instrument of evil. He’s made to spout some nonsense about controlling the life of everyone in the world and we’re supposed to believe that.<br/><br/>Ajay Devgn played a laid-back man who uses his wits to save his family in the Drishyam franchise and kind of steps back into the Drishyam mould again in this film. He’s perfectly cast as the super caring dad who keeps a close watch on his children but gives them ample freedom at the same time. He brings out the helplessness and dedication of a loving father who would do it all to save his world from falling apart perfectly well and looks good in action scenes as well. Jyothika, seen in a Hindi film after aeons, is cast as a caring mother who fights like a wounded lioness when it comes to saving her daughter. Her reactions look totally genuine. She uses her body language and expressive eyes to convey a range of emotions. She shares a good rapport with Ajay Devgn. It’s good to see middle-aged stars being cast together and acting their age. It’s a step in the right direction indeed. Madhavan and Jyothikha have acted in romantic comedies like Dumm Dumm Dumm (2001) and Priyamaana Thozhi (2003) earlier and have a reunion of sorts in Shaitaan. But
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Glasgow Jazz Festival has unveiled its programme for 2024, with performances from some of the biggest names in jazz set to be hosted in the city this summer. Taking place between Wednesday 19th - Sunday 23rd June 2024, there are over 20 captivating events confirmed across Glasgow.<br/>This year sees Glasgow Jazz Festival return to well-loved venues including the Mackintosh Church<br/>and Òran Mór in the West End, the City Centre’s Nice n Sleazy, Saint Luke’s in the East End and The Glad Café in the Southside.<br/>The Glasgow Jazz Festival 2024 line-up showcases everything from the legendary to the up-and- coming, and promises an electrifying line-up that festival audiences have come to expect of the world-renowned event.<br/>At the East End’s iconic Saint Luke’s, the spotlight will shine on jazz luminary Bobby Watson and his Quartet. Making a triumphant return to Glasgow after a hiatus of over a decade, the esteemed US saxophonist is best known for his unparalleled improvisational prowess. Having graced the Glasgow Jazz Festival stage as Artist in Residence exactly 30 years ago, in 1994, Watson’s long-awaited comeback is sure to be a highlight of this year's five-day festival.<br/>Spiritual jazz act Mama Terra will recreate songs from the classic album 'Head Hunters' by Herbie<br/>Hancock in their own sound, while kitti's Caledonian Songbook pays homage to songs in the Scots tradition from Robert Burns right up to Paolo Nutini. Winner of 2023 BBC Radio Scotland Young Jazz Musician of the Year, pianist Ben Shankland also performs an afternoon show, as well as Glasgow Improvisers Orchestra who reunite with Orphy Robinson, one of the most engaging and influential<br/>voices in British jazz. <br/>Across the city in Òran Mór, a diverse array of jazz virtuosos takes centre stage – from the smooth, intricate melodies of the Jim Mullen Trio to the funky rhythms of original member of the Average White Band Hamish Stuart and his band. International sensations Kyoto Jazz Massive will transport listeners on a mesmerising journey, blending Japanese and French influences into a harmonious fusion of sound.<br/>The Mackintosh Church will present the inimitable Fergus McCreadie Trio. Fresh off their nomination for the prestigious Mercury Prize and crowned winners of the Scottish Album of the Year in 2022, this Scottish ensemble will showcase their captivating compositions and virtuosic<br/>performances alongside tracks from their new album ‘Stream’.<br/>The Nice n Sleazy stage will showcase the dynamic duo of Scottish saxophonist Norman Willmore and drummer Corrie Dick. Having graced stages at festivals across the UK, they will bring their<br/>electrifying energy and infectious rhythms to the heart of Glasgow. BLACKSABBATHMODE is a collaboration between nu-jazz duo BIGHEADMODE and distinguished multi-instrumentalist Plumm<br/>inspired by the legendary rock band, Black Sabbath. Scottish protest musician Kapil Seshasayee fuses R&B, Indian classical and jazz fusion with contemporary electronica.
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