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First Public Preview, at Softopia Japan Center, in Ogaki, Gifu, Japan, June 2002nnACCESS is an interactive art installation that lets web users track anonymous individuals in public places, by pursuing them with a robotic spotlight and an acoustic beam system. The work is about our fascination with surveillance, control, visibility, and celebrity.nnFor more information please visit http://www.sester.net/access/nnConcept:nACCESS is a public art installation that applies web, computer, sound and l

ACCESS Softopia 2002

⏲ 3 min 1 sec ✓ 16-Aug-2012

Tracking clip / screenshot by Jeff Han, Computer-vision programer, 2003nnACCESS is an interactive art installation that lets web users track anonymous individuals in public places, by pursuing them with a robotic spotlight and an acoustic beam system. The work is about our fascination with surveillance, control, visibility, and celebrity.nnFor more information please visit http://www.sester.net/access/nnConcept:nACCESS is a public art installation that applies web, computer, sound and lighting t

ACCESS Computer view

⏲ 24 sec ✓ 20-Aug-2012

Single channel video, color, sound, 01´59´´ in loopnEinkanalvideo, Farbe, Ton, n01:59 Min, in Loopn1920 x 1080 pxnnnA fixed view towards 7 bodies that move slowly invite us to contemplate a landscape from a first impression. Little by little we will see some movements, then we will associate with animal and human figures. It is a self-portrait of Arnaldo González, who has recorded himself with a low camera angle while he breathes and swallows his saliva. In his edition, he digitally assemble

Volcano, by Arnaldo Drés González

⏲ 1 min 78 sec ✓ 25-Feb-2015

Prototype Preview at Eyebeam, Art + Technology Center, New York, 2003. nnACCESS is an interactive art installation that lets web users track anonymous individuals in public places, by pursuing them with a robotic spotlight and an acoustic beam system. The work is about our fascination with surveillance, control, visibility, and celebrity.nnFor more information please visit http://www.sester.net/access/nnConcept:nACCESS is a public art installation that applies web, computer, sound and lighti

ACCESS Eyebeam 2003

⏲ 2 min 32 sec ✓ 17-Aug-2012

Tracking clip / What the

ACCESS camera view

⏲ 24 sec ✓ 20-Aug-2012

I’m always down for a challenge. When Abigail Witthauer‘s “No Cue November” came across my Facebook Page‘s newsfeed, from Positively.com, I was compelled to click. It’s a well thought out article.nnAbigail points out how rude we are to our dogs. We tend to bark orders at them in short, choppy, sentences (hopefully using friendly voices). Between requests or cues we insert more one or two word phrases – “Yes! Good Boy! Okay. No. Wait! Whoops!”nnWe would not dare talk to our love

No Cue November (Challenge)

⏲ 2 min 26 sec ✓ 09-Nov-2015

Demo of ACCESS - work-in-progress - to Itsuo Sakane, founder, IAMAS (Institute of Advanced Media Arts and Sciences), during my residency at IAMAS, Ogaki, Japan (2001-2002). This demo was done in April 2002.nnACCESS is an interactive art installation that lets web users track anonymous individuals in public places, by pursuing them with a robotic spotlight and an acoustic beam system. The work is about our fascination with surveillance, control, visibility, and celebrity.nnFor more information pl

IAMAS 2002 demo to Itsuo Sakane

⏲ 4 min 39 sec ✓ 17-Aug-2012

Documentation of the making of ACCESS: First auto-tracking demo: April 2002 / IAMAS, Ogaki, Japan nnComputer-vision tracking experiments / What the

ACCESS auto-tracking opt3 9 April 02

⏲ 25 sec ✓ 20-Aug-2012

Second manual tracking test series : March 2002, IAMAS, Ogaki, JapannnThis is a documentary showing part of the process for the development of ACCESS, during my residency at IAMAS (Institute of Advanced Media Arts and Sciences (Ogaki, Japan).nnMy thanks to Sakane-san, the IAMAS teachers and students who helped with the development, Michael Naimark, and all the wonderful people who supported the idea.nAND to Arnaud Pilpré - much especially.nnACCESS is an interactive art installation that lets we

ACCESS in-progress 01_March 2002

⏲ 1 min 90 sec ✓ 19-Aug-2012

Documentation of the making of ACCESS: First auto-tracking demo: April 2002 / IAMAS, Ogaki, JapannnWhat the

ACCESS auto-tracking opt3 1 April 02

⏲ 12 sec ✓ 20-Aug-2012

I got the little portable QRP loop, assembled it and could not wait to try it out even though it was during tha day and signals were sparse and weak. The new one performs well, in part thanks to the tuningthe lower knob is the impedance matching knob, the impedance matching value will change due to environmental changes. (The tuning range of the two knobs is 180 degrees, and the panel value is 0-60).nWhen you start using the radio, select the desired frequency, and then turn the band switch to

Loop antenna garden

⏲ 1 min 62 sec ✓ 06-May-2022

Wilderness Radio - 2016nnDeer skins, copper, antler, light, plexi-glass, tape, aluminum, tree logs, pine cones, stone, steel, galvanized metal, deadfall, classroom, sound.nn*The five 15 minute sound loop components of the piece are compositions by and a collaboration with Andrew Pekler, a Berlin-based sound artist who utilizes both improvisational and conceptual composition methods while integrating elements of electronic music, environmental sound, and ethnographic recordings into his work.

wilderness radio 1_1

⏲ 8 min 75 sec ✓ 03-Sep-2016

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