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Depth of Field Explained_ Ultimate Guide to Camera Focus [Shot List Ep. 4] (1080p_24fps_H264-128kbit_AAC)
⏲ 14:54 ✓ 28-May-2024
Alienoid 2 return to the future || New Korean 2024 movie story explained
⏲ 13:59 ✓ 27-May-2024
A Fairy Tale Episode 10 (HD Version)
⏲ 35:52 ✓ 27-May-2024
A Fairy Tale Episode 9 (HD Version)
⏲ 53:29 ✓ 26-May-2024
A Fairy Tale Episode 6 (HD Version)
⏲ 37:8 ✓ 23-May-2024
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_depth-of-field-explained--ultimate-guide-to-camera-focus-shot-list-ep-4-1080p-24fps-h264-128kbit-aac.jpg "Depth of field might be one of the last considerations filmmakers make when creating a shot list. But that doesn’t mean it should be ignored. In this video essay, we’re going to look at camera basics like depth of field and how camera focus is used in visual storytelling. With deep depth of field, shallow depth of field, soft focus, rack focus, split diopter lens, and tilt shift lens, each brings a different perspective to your shots. This is Episode 4 of The Shot List: Depth of Field Explained.<br/><br/>Deep depth of field allows for action in the foreground, middle ground, and background; perfect for blocking and staging chaotic scenes like the opening shot of Gravity. Shallow depth of field helps to isolate subjects and guides the viewer’s eye with purpose and meaning — it’s also a great way to get that bokeh effect. Moonlight is full of shallow depth of field cinematography, bringing an extreme level of intimacy to the Chiron’s emotional journey. Soft focus can be used in dream sequences or flashbacks to give the cinematography a nostalgic glow, like Spielberg did throughout A.I. Artificial Intelligence. <br/><br/>A rack focus is a great way to use shallow depth of field to make connections between subjects without needing to cut. Often using a follow focus controller, the focus puller can achieve even the most complicated shots, like in Bong Joon-ho’s The Host. The split diopter lens is ideal when you want to isolate foreground and background subjects simultaneously. Auteurs like Brian De Palma and Quentin Tarantino use split diopter shots all the time, including some stellar examples in The Hateful Eight.<br/><br/>And, finally, we have the tilt shift lens. Tilt shift shots are rarely used in filmmaking because they can produce pretty radical images. In the Coen Brothers’ A Serious Man, cinematographer Roger Deakins was able to shoot the bar mitzvah scene by visualizing Danny’s marijuana-influenced perspective. <br/>Directing and cinematography are all about using images to tell a story. With camera focus and depth of field in your bag of tricks, there’s no limit to how much “depth” you can bring to your shot list.")
_alienoid-2-return-to-the-future-124124-new-korean-2024-movie-story-explained.jpg "Alienoid 2 return to the future movie story Explained in Hindi || Ending Explained in Hindi<br/><br/><br/>In story :- Aliens past me phass jatea hai unko wahase wapas present me janea keliye ek khanjer ki zarurat hogi,un aliens ka ek leader hota hai controller woh kiss insan ke sharir me hai yeh kisi ko nahi pata agea controller jabh baher ayega woh wapas present me jaker kya tabahi machayenge video me dekhna <br/><br/><br/>I Hope you like or explanation<br/><br/><br/>Alienoid 2 movie story Explained<br/>Alienoid 2 movie review<br/>Alienoid 2 movie explained Hindi<br/>Alienoid 2 movie trailer<br/>Movies time explanation<br/>Movies explained Hindi<br/>Fictional aura channel<br/>Alienoid 2 return to the future best Action/thriller movie to watch<br/><br/><br/>Watch celebs summarizes Bollywood Movie Story & Review in Hindi like Bollywood silver screen, movies insight Hindi , movies time, mr hindi rockers & many more<br/><br/>Note:- Full credit to owner. All Images, Music, Pictures shown in the video belong to their respective owners.<br/>Credits: All Credits Goes to the Real Owner.<br/>No ownership claim is made by me or this channel with regard to any of the images or video clips featured in the movie; they are all the property of their respective Owners.<br/><br/><br/>*Please don't give us Copyright Strike instead inform us to make down the video or raise a copyright claim to<br/>get the advertisement revenue. I am happy to give the revenue to you.<br/>PLEASE SEND A MAIL TO:<br/>( mdiliyaz1386@gmail.com )<br/>AND I WILL SURLY REMOVE THE VIDEO *")
_a-fairy-tale-episode-10-hd-version.jpg "<br/>Finding a bag full of money on Zeynep's birthday, who lives an ordinary life, changes her whole life. Deciding to use the money she found to leave her old life behind and give herself a rich image, Zeynep targets the eligible bachelor Onur Koksal and tries to attract both her and the Koksal family. However, Zeynep will see that entering the high society is not as simple as in fairy tales, nor is it easy to escape from her past.<br/><br/>CAST: Alina Boz, Taro Emir Tekin, Nazan Kesal, Müfit Kayacan,Mustafa Mert Koç, Hazal Filiz Küçükköse, Müfit Kayacan,<br/>Okan Urun, Kadir Çermik, Tülin Ece, Baran Bölükbaşı, Bilgi Aydoğmuş<br/><br/>CREDITS<br/>PRODUCTION: MEDYAPIM<br/>PRODUCERS: FATIH AKSOY, MERVE GIRGIN AYTEKIN & DIRENC AKSOY SIDAR<br/>DIRECTOR: MERVE COLAK<br/>SCREENPLAY: DENIZ AKCAY<br/>")
_a-fairy-tale-episode-9-hd-version.jpg "<br/>Finding a bag full of money on Zeynep's birthday, who lives an ordinary life, changes her whole life. Deciding to use the money she found to leave her old life behind and give herself a rich image, Zeynep targets the eligible bachelor Onur Koksal and tries to attract both her and the Koksal family. However, Zeynep will see that entering the high society is not as simple as in fairy tales, nor is it easy to escape from her past.<br/><br/>CAST: Alina Boz, Taro Emir Tekin, Nazan Kesal, Müfit Kayacan,Mustafa Mert Koç, Hazal Filiz Küçükköse, Müfit Kayacan,<br/>Okan Urun, Kadir Çermik, Tülin Ece, Baran Bölükbaşı, Bilgi Aydoğmuş<br/><br/>CREDITS<br/>PRODUCTION: MEDYAPIM<br/>PRODUCERS: FATIH AKSOY, MERVE GIRGIN AYTEKIN & DIRENC AKSOY SIDAR<br/>DIRECTOR: MERVE COLAK<br/>SCREENPLAY: DENIZ AKCAY<br/>")
_a-fairy-tale-episode-6-hd-version.jpg "<br/>Finding a bag full of money on Zeynep's birthday, who lives an ordinary life, changes her whole life. Deciding to use the money she found to leave her old life behind and give herself a rich image, Zeynep targets the eligible bachelor Onur Koksal and tries to attract both her and the Koksal family. However, Zeynep will see that entering the high society is not as simple as in fairy tales, nor is it easy to escape from her past.<br/><br/>CAST: Alina Boz, Taro Emir Tekin, Nazan Kesal, Müfit Kayacan,Mustafa Mert Koç, Hazal Filiz Küçükköse, Müfit Kayacan,<br/>Okan Urun, Kadir Çermik, Tülin Ece, Baran Bölükbaşı, Bilgi Aydoğmuş<br/><br/>CREDITS<br/>PRODUCTION: MEDYAPIM<br/>PRODUCERS: FATIH AKSOY, MERVE GIRGIN AYTEKIN & DIRENC AKSOY SIDAR<br/>DIRECTOR: MERVE COLAK<br/>SCREENPLAY: DENIZ AKCAY<br/>")
_depth-of-field-explained--ultimate-guide-to-camera-focus-shot-list-ep-4-1080p-24fps-h264-128kbit-aac.webp "Depth of field might be one of the last considerations filmmakers make when creating a shot list. But that doesn’t mean it should be ignored. In this video essay, we’re going to look at camera basics like depth of field and how camera focus is used in visual storytelling. With deep depth of field, shallow depth of field, soft focus, rack focus, split diopter lens, and tilt shift lens, each brings a different perspective to your shots. This is Episode 4 of The Shot List: Depth of Field Explained.<br/><br/>Deep depth of field allows for action in the foreground, middle ground, and background; perfect for blocking and staging chaotic scenes like the opening shot of Gravity. Shallow depth of field helps to isolate subjects and guides the viewer’s eye with purpose and meaning — it’s also a great way to get that bokeh effect. Moonlight is full of shallow depth of field cinematography, bringing an extreme level of intimacy to the Chiron’s emotional journey. Soft focus can be used in dream sequences or flashbacks to give the cinematography a nostalgic glow, like Spielberg did throughout A.I. Artificial Intelligence. <br/><br/>A rack focus is a great way to use shallow depth of field to make connections between subjects without needing to cut. Often using a follow focus controller, the focus puller can achieve even the most complicated shots, like in Bong Joon-ho’s The Host. The split diopter lens is ideal when you want to isolate foreground and background subjects simultaneously. Auteurs like Brian De Palma and Quentin Tarantino use split diopter shots all the time, including some stellar examples in The Hateful Eight.<br/><br/>And, finally, we have the tilt shift lens. Tilt shift shots are rarely used in filmmaking because they can produce pretty radical images. In the Coen Brothers’ A Serious Man, cinematographer Roger Deakins was able to shoot the bar mitzvah scene by visualizing Danny’s marijuana-influenced perspective. <br/>Directing and cinematography are all about using images to tell a story. With camera focus and depth of field in your bag of tricks, there’s no limit to how much “depth” you can bring to your shot list.")
_alienoid-2-return-to-the-future-124124-new-korean-2024-movie-story-explained.webp "Alienoid 2 return to the future movie story Explained in Hindi || Ending Explained in Hindi<br/><br/><br/>In story :- Aliens past me phass jatea hai unko wahase wapas present me janea keliye ek khanjer ki zarurat hogi,un aliens ka ek leader hota hai controller woh kiss insan ke sharir me hai yeh kisi ko nahi pata agea controller jabh baher ayega woh wapas present me jaker kya tabahi machayenge video me dekhna <br/><br/><br/>I Hope you like or explanation<br/><br/><br/>Alienoid 2 movie story Explained<br/>Alienoid 2 movie review<br/>Alienoid 2 movie explained Hindi<br/>Alienoid 2 movie trailer<br/>Movies time explanation<br/>Movies explained Hindi<br/>Fictional aura channel<br/>Alienoid 2 return to the future best Action/thriller movie to watch<br/><br/><br/>Watch celebs summarizes Bollywood Movie Story & Review in Hindi like Bollywood silver screen, movies insight Hindi , movies time, mr hindi rockers & many more<br/><br/>Note:- Full credit to owner. All Images, Music, Pictures shown in the video belong to their respective owners.<br/>Credits: All Credits Goes to the Real Owner.<br/>No ownership claim is made by me or this channel with regard to any of the images or video clips featured in the movie; they are all the property of their respective Owners.<br/><br/><br/>*Please don't give us Copyright Strike instead inform us to make down the video or raise a copyright claim to<br/>get the advertisement revenue. I am happy to give the revenue to you.<br/>PLEASE SEND A MAIL TO:<br/>( mdiliyaz1386@gmail.com )<br/>AND I WILL SURLY REMOVE THE VIDEO *")
_a-fairy-tale-episode-10-hd-version.webp "<br/>Finding a bag full of money on Zeynep's birthday, who lives an ordinary life, changes her whole life. Deciding to use the money she found to leave her old life behind and give herself a rich image, Zeynep targets the eligible bachelor Onur Koksal and tries to attract both her and the Koksal family. However, Zeynep will see that entering the high society is not as simple as in fairy tales, nor is it easy to escape from her past.<br/><br/>CAST: Alina Boz, Taro Emir Tekin, Nazan Kesal, Müfit Kayacan,Mustafa Mert Koç, Hazal Filiz Küçükköse, Müfit Kayacan,<br/>Okan Urun, Kadir Çermik, Tülin Ece, Baran Bölükbaşı, Bilgi Aydoğmuş<br/><br/>CREDITS<br/>PRODUCTION: MEDYAPIM<br/>PRODUCERS: FATIH AKSOY, MERVE GIRGIN AYTEKIN & DIRENC AKSOY SIDAR<br/>DIRECTOR: MERVE COLAK<br/>SCREENPLAY: DENIZ AKCAY<br/>")
_a-fairy-tale-episode-9-hd-version.webp "<br/>Finding a bag full of money on Zeynep's birthday, who lives an ordinary life, changes her whole life. Deciding to use the money she found to leave her old life behind and give herself a rich image, Zeynep targets the eligible bachelor Onur Koksal and tries to attract both her and the Koksal family. However, Zeynep will see that entering the high society is not as simple as in fairy tales, nor is it easy to escape from her past.<br/><br/>CAST: Alina Boz, Taro Emir Tekin, Nazan Kesal, Müfit Kayacan,Mustafa Mert Koç, Hazal Filiz Küçükköse, Müfit Kayacan,<br/>Okan Urun, Kadir Çermik, Tülin Ece, Baran Bölükbaşı, Bilgi Aydoğmuş<br/><br/>CREDITS<br/>PRODUCTION: MEDYAPIM<br/>PRODUCERS: FATIH AKSOY, MERVE GIRGIN AYTEKIN & DIRENC AKSOY SIDAR<br/>DIRECTOR: MERVE COLAK<br/>SCREENPLAY: DENIZ AKCAY<br/>")
_a-fairy-tale-episode-6-hd-version.webp "<br/>Finding a bag full of money on Zeynep's birthday, who lives an ordinary life, changes her whole life. Deciding to use the money she found to leave her old life behind and give herself a rich image, Zeynep targets the eligible bachelor Onur Koksal and tries to attract both her and the Koksal family. However, Zeynep will see that entering the high society is not as simple as in fairy tales, nor is it easy to escape from her past.<br/><br/>CAST: Alina Boz, Taro Emir Tekin, Nazan Kesal, Müfit Kayacan,Mustafa Mert Koç, Hazal Filiz Küçükköse, Müfit Kayacan,<br/>Okan Urun, Kadir Çermik, Tülin Ece, Baran Bölükbaşı, Bilgi Aydoğmuş<br/><br/>CREDITS<br/>PRODUCTION: MEDYAPIM<br/>PRODUCERS: FATIH AKSOY, MERVE GIRGIN AYTEKIN & DIRENC AKSOY SIDAR<br/>DIRECTOR: MERVE COLAK<br/>SCREENPLAY: DENIZ AKCAY<br/>")
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