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Under_Nothing Marketing Plan presentation by Bryttne Lowden, Yomali De La Cerda, Richard Courchesne & Graciela Sandoval.
⏲ 22 min 56 sec ✓ 11-May-2011
Portrait Of A Photographer : Alexander Bather
⏲ 1 min 34 sec ✓ 04-Aug-2013
Boi Stori (2011)
⏲ 10 min 56 sec ✓ 17-Feb-2011
Artist Megan Stanton
⏲ 58 sec ✓ 14-Aug-2013
Production Line Конвейер
⏲ 4 min 90 sec ✓ 05-Oct-2009
The Dark History of Killer Whale Captures(Full Documentary)
⏲ 27 min 79 sec ✓ 12-Aug-2017
3 tempos num quarto sem lembrança (2009)
⏲ 28 min 80 sec ✓ 20-Apr-2012
Museum Songspiel:The Netherlands 20XX
⏲ 15 min 21 sec ✓ 24-Apr-2011
MOLESKINE | VIRGILIO VILLORESI | MAKING OF |
⏲ 79 sec ✓ 15-Mar-2011
Making Drive Home with Jess Cope
⏲ 7 min 1 sec ✓ 22-Nov-2013
Cinema 4D Facial Hair Systems and Grooming Techniques Featuring Arnold Render Bonus
⏲ 2 min 68 sec ✓ 25-Sep-2015
The Magic Hour (Summer)
⏲ 1 min 80 sec ✓ 03-Apr-2017
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_under-nothing-marketing-plan-presentation-by-bryttne-lowden-yomali-de-la-cerda-richard-courchesne-amp-graciela-sandoval.webp "Under Nothing - Marketing Plan, Dr. Sindy Chapa – May 9th 2011nBy:nBryttne LowdennYomali De La CerdanRichard CourchesnenGraciela SandovalnnMass CommunicationnTexas State University – San Marcosnn1. Executive SummarynUnder Nothing is a heavy metal band from San Antonio, Texas. The band members are JR on the drums, Ben on lead guitar, Steve on bass, Kevin with lead vocals, and Chris on rhythm guitar. The target market is 16-30 year old, mostly males, of middle-class backgrounds.nHeavy metal fi")
_portrait-of-a-photographer-alexander-bather.webp "Clients: Alexander Bathernhttps://www.facebook.com/alex.bather.1nnCapricorn Studio:nhttp://www.capricorn-studio.comnnNemesis Model Agency:nhttp://www.nemesisagency.co.uk/nnModels:nRachael Tennent, Ksenija Selivanova, Emily Clarkson, Mike Koy, Peter, John Bull & Charlie RhodesnnMusic by:nKeith Kenniff - Even NownnI was contacted by Alex to do a feature on him for his photography.nnit was tricky as I also had to showcase the studio and models as well as focus on Alex's style.nnSo I did my best")
_boi-stori-2011.webp "Ryan")
_artist-megan-stanton.webp "I’m interested in clowns, mischief, alter identities and sexual innuendos. I like to dress up and play with the public and blur the lines between reality and fantasy, not only for the public but also in my own personal life; escaping to another world and trying to find the clown in me. I hope people view the work and can relate to the concept of a alter ego inside of all of us; even if I make someone see something of themselves in Clementine I think I have been successful.nMy work is a documen")
_production-line.webp "a film of Dmitry Vilensky (2003) part of the installation")
_the-dark-history-of-killer-whale-captures-full-documentary.webp "When people hear the names SeaWorld, Miami Seaquarium, Marineland, Loro Parque, Port of Nagoya Public Aquarium, or Moskvarium, they are instantly associated with fun and joy. There’s cheering music and friendly hosts and brave trainers, skillfully riding huge orcas, commanding them or other animals to do tricks…nothing else but fountains of happiness and entertainment. People bring their little kids to show them true exotics…nHowever not many visitors know the whole story – how these orc")
_3-tempos-num-quarto-sem-lembrana-2009.webp "Este solo reúne cenas de três trabalhos anteriores (Querida Sra. M., Dois Sopros e Corpos Partidos) e as transforma numa nova dramaturgia. Aqui, Juliana Moraes radicaliza o desafio de não coreografar no sentido tradicional. As qualidades dinâmicas e espaciais que constituem cada cena são estudadas de modo exaustivo até que as texturas corporais possam ser explicitadas no palco através de improvisações. A cama de solteiro de 5 metros de comprimento, muito mais do que ser somente objeto d")
_museum-songspiel-the-netherlands-20xx.webp "A Film by Chto Delat?; 2011nnDirector: Olga Egorova (Tsaplya)nMusic: Mikhail KrutiknSet: Dmitry Vilensky and Natalya Pershina (Gluklya)nCostumes: Natalya Pershina (Gluklya)nChoreography: Nina GastevanScript: Olga Egorova (Tsaplya) and Dmitry VilenskynnnThe fourth songspiel by Chto Delat? represents a similar new form of contemporary tragedy as the first three musicals of the “Songspiel-triptych”. But whereas the first three productions were based on accounts of historical events the “Museu")
_moleskine-124-virgilio-villoresi-124-making-of-124.webp "The new video from studio Neue Big, directed by Virgilio Villoresi is freely inspired by the new Moleskine collections, a full set of tools (bit.ly/gD859D) for accompaniying your everyday and extraordinary experiences. u2028u2028nVideomaker's comment:")
_making-drive-home-with-jess-cope.webp "In the behind the scenes video, director Jess Cope answers questions about how the video for Drive Home was made. It was filmed using two distinct animation techniques, part of the film is made using painted cut-out puppets, animated on a glass multi-plane. The rest of the video is shot using stop motion puppets and sets. Everything in the video was painstakingly covered with torn up newspaper print. nnFilm credits:nnAn Owl House Studios ProductionnnDirected by Jess CopenProduced by Tom KayenAss")
_cinema-4d-facial-hair-systems-and-grooming-techniques-featuring-arnold-render-bonus.webp "cmiVFX Releases Cinema 4D Facial Hair Grooming Video For Character TD’snHigh Definition Training Videos for the Visual Effects Industry nnPrinceton, NJ (September 24, 2015) Check out one of the coolest videos for Cinema 4D to date!cmiVFX comes through again with an awesome solution to creating and grooming CG Character head and facial hair systems.One of the most frequent mistakes for many CG Artists to make, are the assumption that they only need to add one hair piece on a 3d model, and s")
_the-magic-hour-summer.webp "Website: http://yugezhou.com/; Instagram: @yugezhoun2017; 3 min. nPlease visit https://vimeo.com/268444380 for The Magic Hour (Winter)nnThe Magic Hour is a two-part video series that comprises collaged scenes from various locations at different times of day during the summer and winter. The series is inspired by Carl Jung’s concept of synchronicity—originally unrelated characters and events “forced to” to coexist, hence creating meaningful coincidences and micro-narratives in these two s")
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