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[Live Concert @ The North Sea Jazz Festival - Statenhal, The Hague, Netherlands (E, W; & F \
⏲ 39:47 👁 95K
Amra
⏲ 3 minutes 13 seconds 👁 5.5M
Yayoi Daimon
⏲ 2 minutes 32 seconds 👁 951
Calling all creative minds! This Mother's Day, let's celebrate Mom with a heartfelt poem and a touch of artistry.<br/><br/>https://www.teacherspayteachers.com/Product/Mothers-Day-Acrostic-Poem-and-Card-mothers-day-flower-poem-11463257<br/><br/>Size paper (11\
⏲ 0:5 👁 20K
Mint Ulaanbaatar
⏲ 3 minutes 59 seconds 👁 3.1M
Mint Ulaanbaatar
⏲ 4 minutes 44 seconds 👁 1M
Kapwani Kiwanga: Trinket / Canadian Pavilion at the 60th International Art Exhibition – La Biennale di Venezia. Venice (Italy), April 19, 2024.<br/><br/>Official description: Kapwani Kiwanga is a multi-disciplinary artist concerned with forms of power: their suppressed histories and quotidian effects. The artist transforms the Canada Pavilion by way of a site- specific sculptural installation on the building’s interior and exterior, turning it into a large-scale tableau. Shapes shift, dissolving distinctions between inside and outside. As one moves through the coil-like architecture, it unfolds, multiplying perspectives. The installation principally consists of conterie (seed beads), historically employed as both currency and items of exchange. Conterie were dispersed globally from the Venetian island of Murano and incorporated into various material cultures. Kiwanga uses these tiny glass units to construct the monumental out of the minute, each bead acting as a witness to past transactions that changed the socioeconomic landscape of the sixteenth century and beyond. The work addresses the often-destructive history of commerce and how the trade of these beads shaped the world. Other materials related to the trade of conterie are also included. They rise from the pavilion’s floor onto the walls and spill out into the courtyard. As they meet the beads, they formalise a place of exchange, prompting reflection on issues of value, aesthetics, and global economic relations.
⏲ 8:8 👁 10K
Eleven Eleven Records
⏲ 3 minutes 15 seconds 👁 5M
G Series Music
⏲ 4 minutes 4 seconds 👁 74.4K
In this video, Vlatka Horvat, the artist representing Croatia at the Venice Art Biennale 2024, guides us through her exhibition. The show is titled “By the Means at Hand” and is located at Fàbrica 33 (Calle Larga dei Boteri, Cannaregio 5063).<br/><br/>Official description: Vlatka Horvat’s project for the Croatian Pavilion – By the Means at Hand – exists as both a dynamic, accumulating exhibition of artworks by a large group of international artists living “as foreigners”, reflecting on questions and urgencies of diasporic experience, and as a compelling, intimate, social, and performative exchange between them. The pavilion also doubles as Horvat’s temporary artist’s studio over the course of the biennial. Horvat has invited a large number of artists living in diaspora in different countries to engage with her in a series of reciprocal exchanges of artworks and other materials, all of which will be sent between Venice and other places by improvised means – via various friends, travellers, and strangers who will be enlisted as informal couriers for the project.<br/>The project builds on the principles of solidarity, shared struggle, mutual support, and friendship – prerequisites for co-existing with others and key elements in the toolkit for those living “in foreign lands”. The project also points to a wide range of other, broader themes such as alternative logistics, spontaneous production of social relations, informal and gift economies, and the idea of trustfulness.<br/><br/>Commissioner: Ministero della Cultura e dei Media della Repubblica di Croazia<br/>Curator: Antonia Majača<br/>Exhibitor: Vlatka Horvat<br/><br/>Vlatka Horvat: By the Means at Hand / Pavilion of Croatia at Venice Art Biennale 2024. Venice (Italy), April 16, 2024.<br/>
⏲ 8:55 👁 60K
Amra
⏲ 3 minutes 20 seconds 👁 56.1K
Drippy
⏲ 2 minutes 18 seconds 👁 59
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