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Homeowners can install solar panels, insulation and a heat pump to reduce their bills - plus there’s no VAT to pay
⏲ 2:23 👁 10.3M
Sarah Harkness
⏲ 1 minute 12 seconds 👁 729
1st Class Accounts
⏲ 39 seconds 👁 446
Official description: Every moment is a threshold between the vanishing past and an unclear future. This uncertain, intermediate position of the present applies equally to everyone. For those affected by migration, however, it is a fundamental three-dimensional and bodily experience, because the current state of migration is always one of living at the intersection of different belongings. This is where the historiographical and, thus, political difference from the dominant societies’ primarily territorial or national perspectives lies. Under the title Thresholds, the German contribution explores history and the future in three scenarios: In the first scenario, artist, photographer, and filmmaker Yael Bartana departs from a present perceived as catastrophic; a world on the brink of total destruction. In the second scenario, the theatre and opera director Ersan Mondtag develops a space that contrasts the monumental character of the pavilion with a fragmentary, seemingly minor narrative. In a third scenario, the contribution engages in building a bridge to another location outside the Giardini: the island of La Certosa. Here the artists Michael Akstaller, Nicole L’Huillier, Robert Lippok, and Jan St. Werner create a resonant space with works that focus on the significance of the moment of temporal and spatial transition.<br/><br/>Thresholds. Yael Bartana and Ersan Mondtag / German Pavilion at Venice Art Biennale 2024. April 19, 2024.
⏲ 8:28 👁 30K
HAAB Accounting Consultancy
⏲ 8 minutes 54 seconds 👁 4.5K
Simon Gray
⏲ 11 minutes 48 seconds 👁 601
Shylock's rebuke from The Merchant Of Venice by Shakespeare<br/><br/>Recited by Frank Burbeck <br/><br/>Victor 17163<br/><br/>1912<br/><br/>Spoken by Shylock<br/><br/>Act 1, Scene 3<br/><br/>Signior Antonio, many a time and oft<br/>In the Rialto you have rated me<br/>About my moneys and my usances:<br/>Still have I borne it with a patient shrug,<br/>For sufferance is the badge of all our tribe.<br/>You call me misbeliever, cut-throat dog,<br/>And spit upon my Jewish gaberdine,<br/>And all for use of that which is mine own.<br/>Well then, it now appears you need my help:<br/>Go to, then; you come to me, and you say<br/>‘Shylock, we would have moneys:’ you say so;<br/>You, that did void your rheum upon my beard<br/>And foot me as you spurn a stranger cur<br/>Over your threshold: moneys is your suit<br/>What should I say to you? Should I not say<br/>‘Hath a dog money? is it possible<br/>A cur can lend three thousand ducats?’ Or<br/>Shall I bend low and in a bondman’s key,<br/>With bated breath and whispering humbleness, Say this;<br/>‘Fair sir, you spit on me on Wednesday last;<br/>You spurn’d me such a day; another time<br/>You call’d me dog; and for these courtesies<br/>I’ll lend you thus much moneys’?<br/><br/>Bassanio has no money but he needs money so he can woo Portia, so Bassanio turns to his friend Antonio for a loan.<br/><br/>Antonio has invested his own money in ships and cannot furnish his friend with money, so he hopes to help Bassanio by going to Shylock for a loan.<br/><br/>Shylock is Jewish. The others are Christian.<br/><br/>Shylock is bitter that he is asked for money after being badly treated by Antonio in the past.<br/><br/>That bitter feeling is the basis for this famous monologue.
⏲ 3:13 👁 5K
Gm professional accountants
⏲ 1 minute 41 seconds 👁 239
Emirates Chartered Accountants Group(ECAG)
⏲ 10 minutes 6 seconds 👁 3.5K
Mastering Accounting Skills
⏲ 31 minutes 4 seconds 👁 10.8K
Skill Builder
⏲ 15 minutes 14 seconds 👁 27.5K
Heelan Associates
⏲ 9 minutes 55 seconds 👁 54.7K
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