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GLASGOW. The Burrell Collection.<br/><br/>Discovering Degas: Collecting in the Time of Sir William Burrell is the first-time visitors can see all 23 Degas works from Burrell's original collection at the same time, alongside 28 further world-class paintings, works on paper and sculptures on loan from 13 of the UK and Europe’s finest national and international collections.<br/><br/>Set to be one of the must-see Scottish shows of the summer, Discovering Degas is the first, major exhibition to be held at the museum since it reopened in 2022, after a £68 million refurbishment.<br/><br/>Staged by Glasgow Life, the charity that leads on culture and sport in the city, the exhibition will explore the collecting and buying of Degas artworks by Sir William Burrell and his wife Constance, Lady Burrell, who donated one of the single greatest gifts to the city of Glasgow.<br/><br/>As shown through fascinating letters and other archival material, Burrell is amongst the earliest Scottish collectors to buy works by Degas. Over a 40-year collecting period he bought over 20 artworks spanning the artist’s career, far more than any other UK collector.<br/><br/>By bringing these together with loans from The Barber Institute of Fine Arts, British Museum, The Courtauld, National Museums Liverpool Walker Art Gallery, Museums Northumberland, The National Gallery London, Tate, V&A, Amgueddfa Cymru Museum Wales, Hugh Lane Gallery Dublin, The Hunterian, National Galleries of Scotland and Musée d’Orsay, Paris, Discovering Degas provides an important opportunity to better understand Degas and a unique introduction and fresh perspective on a hugely popular art movement.<br/><br/>Loans are supported by the Weston Loan Programme with Art Fund. Created by the Garfield Weston Foundation and Art Fund, the Weston Loan Programme is the first ever UK-wide funding scheme to enable smaller and local authority museums to borrow works of art and artefacts from national collections.<br/><br/>Pippa Stephenson-Sit, Curator of European Art at Glasgow Life Museums, who co-curated the exhibition, said: “Discovering Degas has been an absolute joy to work on. Degas is one of the finest artists the world has ever seen and one of the founding artists of the Impressionist group.<br/><br/>“He was very fond of Britain and travelled here several times. He cultivated relationships and recognised opportunities for selling his work to British art collectors, who were beginning to develop a taste for modern French art. Sir William had a keen eye for his artworks and collected them for about forty years.<br/><br/>“From modern Parisian life, to horse-racing, to ballet scenes, Degas tirelessly tackled a number of fascinating topics in a way that was entirely his own. His artworks remain extremely popular today, particularly his ballet scenes, but we hope this exhibition offers a chance to learn something new about an intriguing, immensely talented artist. This is a unique opportunity to vi

Discovering Degas - The Burrell Collection

⏲ 11:0 👁 30.5M

Invisible Children

⏲ 29 minutes 59 seconds 👁 51.7M

DailyTitanOnline

The Kony 2012 Movement

⏲ 1 minute 42 seconds 👁 30

“Our main objective is for our country to obtain full sovereignty,” said a pro-independence party leader in the France-controlled Pacific archipelago.

'Maintain resistance': New Caledonia independence leader calls for protests against France

⏲ 0:35 👁 8.2M

Internet Historian

The Story of Kony2012

⏲ 17 minutes 1 second 👁 7.2M

Sean

KONY 2012 - Join the Movement!

⏲ 3 minutes 3 seconds 👁 1K

It was one of the most consequential deaths in American history: the assassination of Abraham Lincoln, just as the Civil War concluded. Beyond the human tragedy, Lincoln's death was a blow to the post-war Reconstruction movement. The man directly responsible was John Wilkes Booth – this is how his story ended, and what happened to his body after.

What Really Happened To John Wilkes Booth's Body?

⏲ 3:49 👁 5M

Invisible Children

KONY 2012: Part II - Beyond Famous

⏲ 19 minutes 48 seconds 👁 1.5M

Jason Unruhe

On the Kony 2012 Movement

⏲ 13 minutes 41 seconds 👁 3.8K

In the second in our Meet the Makers series Matt Stephenson visit Treske Furniture in Thirsk.<br/><br/>There’s a timeless spirit about the towns and villages in the Hambleton and Ryedale districts of North Yorkshire: despite the traffic that zooms through on the busy ‘A’ roads, there’s a feeling that the Kilburn White Horse looks down on the landscape and sees that not everything has changed.<br/>A certain constancy and a respect for tradition underpin the work of Thirsk-based furniture company Treske - and a definite ‘Yorkshire-ness’ too.<br/><br/>“We’re a small company, everybody knows everybody here,” explains CEO Justin Bartlett. “We’re part of the fabric of the town, most of our people live here, we’re an important part of the community and that keeps us rooted in the locality.”<br/><br/>Treske was established in 1973 by ex-Ampleforth College pupil John Gormley – who, despite being a Londoner by birth, found his spiritual home under the gaze of the monumental White Horse and decided to establish his business in Thirsk.<br/><br/>Thirsk appears in the Domesday book as Tresche, the name deriving from the Old Norse for fen or lake. Tresche /Treske/ Thirsk – are different ways of spelling the same thing.<br/><br/>The influence of the Benedictine monks at Ampleforth was clear in Gormley’s approach at Treske, a sense of the Benedictine values of community, stewardship, hospitality and discipline being at the heart of the business, which still occupies the same old maltings that Gormley moved into more than 50 years ago.<br/><br/>In the late 1960s and early 1970s there was a growing interest in self-sufficiency and craft, and Treske can be seen broadly as part of that movement.<br/><br/>Local apprentices literally lived on the premises, learning age-old skills from time-served cabinet makers, eating with Gormley and family at the end of the day, sitting on Treske chairs at Treske tables and sleeping in Treske bunks.<br/><br/>The furniture itself was simple and elegant whilst being robust and well-made, Shakerish-style for a Yorkshire farmhouse, kind-of Habitat-meets-Ercol: “Yorkshire furniture for Yorkshire people with Yorkshire timber.”<br/><br/>Gormley was well-known around local markets and fairs, where he’d set up stall and sell direct to the public. Some years later, and a few miles up the A1 from Thirsk, Gormley’s youngest brother Anthony – also an old Ampleforthian - would also produce work that blended elements of the White Horse with certain religious overtones – the Angel of The North quickly became one of the UKs most-loved works of public art.<br/><br/>In parallel with making furniture for the home, John Gormley also began to produce ecclesiastical furniture – again, the Ampleforth education clearly played a part, a feeling for church buildings being close to Gormley’s heart.<br/><br/>“It’s a side of the business which is still incredibly important to us today,\

Meet The Makers: Inside the Thirsk furniture firm part of town's fabric

⏲ 3:16 👁 3.1M

The Wall Street Journal

Kony 2012: WSJ Analysis of Viral Phenomenon

⏲ 2 minutes 34 seconds 👁 1K

DanTheGreatHD

The Alarming TRUTH about Kony 2012 (Re-uploaded)

⏲ 9 minutes 56 seconds 👁 641.6K

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