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Amalia Ortiz, A river A bridge A wall
⏲ 2 min 32 sec ✓ 26-Mar-2012
The Center for Student Success at Simmons University
⏲ 1 minute 29 seconds 👁 10
The Center for Student Success at Simmons University
⏲ 1 minute 8 seconds 👁 1.2K
The Manila Times Empowering MSME's , Generating Opportunities
⏲ 3:24:15 👁 17.3M
My Appointment w the writing center
⏲ 4 minutes 16 seconds 👁 7
Center for Student Success
⏲ 29 seconds 👁 1.3K
The Breakdown: Shaboozey on 'Bar Song (Tipsy)'
⏲ 8:34 👁 4.2M
Writing Center Tutorial
⏲ 4 minutes 35 seconds 👁 2.9K
Biggest Fantasy Breakout Stars for 2024 | Fantasy Focus 🏈
⏲ 59 minutes 45 seconds 👁 6.2K
The Writing On The Wall (subtitles)
⏲ 5 min 64 sec ✓ 31-Jan-2020
I Rebuild Barcelona While Clearing the Debts
⏲ 22 minutes 26 seconds 👁 29.9K
selective attention test
⏲ 41 seconds 👁 489.3K
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_writing-center-tutorial.jpg "universitymountunion")
_amalia-ortiz-a-river-a-bridge-a-wall.webp "Amalia Ortiz is a Tejana performance poet who has appeared on three seasons of Russell Simmons Presents Def Poetry on HBO and the NAACP Image Awards on FOX. She has toured countless colleges and universities as a solo artist, and with the performance-poetry troupes Diva Diction, The Chicano Messengers of Spoken Word, and the Def Poetry College Tour.n nIn 2002, she was awarded the Alfredo Cisneros Del Moral artist grant from Sandra Cisneros. She is a CantoMundo Fellow and was selected as a Hedge")
_the-center-for-student-success-at-simmons-university.webp "Simmons University Access")
_the-center-for-student-success-at-simmons-university.webp "Simmons University")
_the-manila-times-empowering-msme39s-generating-opportunities.webp "The Manila Times Empowering MSME's , Generating Opportunities<br/><br/>BUILD the hustle muscle by “Empowering MSMEs, generating opportunities” at The Manila Times (TMT) microenterprise forum 2024. At Ascott Makati on May 23 from 10 a.m. to 2:30 p.m., the event is hosted by Dafort Villaseran, TMT Supplements & Special Projects editor. Moderated by Ben Kritz, TMT columnist, the talks and discussions feature Senator Loren Legarda, Trade Undersecretary Cristina Roque, Friends of Hope Managing Director Ilusion Farias, AIM Economics Associate Professor Jamil Francisco, Design Center PH Executive Director Rhea Matute, International Workplace Group Country Manager and North APAC SVP Lars Wittig, and CCPI President Jose Yulo Jr.")
_my-appointment-w-the-writing-center.webp "Melissa Simmons")
_center-for-student-success.webp "Simmons University")
![When Shaboozey was writing “A Bar Song (Tipsy),” he wanted to keep the arrangements sounding as organic as possible. He built the track around J-Kwon’s 2004 hit “Tipsy,” and within an hour, he had his very own ode to raising a glass — with a country twist. The megahit quickly went viral and topped Billboard’s Hot Country Songs Chart, surpassing “Texas Hold ’Em” by Beyoncé. (Shaboozey had actually teamed up with her for two songs on her recent country LP, Cowboy Carter.) Together, they became the first two Black artists to lead that chart back-to-back.<br/><br/>The Influences <br/><br/>Around the time that he wrote the song, Shaboozey had been listening to a lot of music by artists like Zach Bryan and the Lumineers. But although he was inspired by their stripped-back acoustics, he was also channeling hip-hop heavyweights like Pharrell Williams for the four-to-the-floor instrumental breakdown. (And of course, he wanted to pay homage to J-Kwon’s knack for partying.) “Some people said it reminds them of [Oasis’] ‘Wonderwall,’ ” Shaboozey says. “I don’t hear it.”<br/><br/>All Together Now<br/><br/>In the same way that J-Kwon captured the essence of the club on “Tipsy,” Shaboozey wanted his song to channel the liveliness of a packed dive bar. Shaboozey achieved the stomp-and-shout elements of the single by bringing in friends to layer on vocals. “We love incorporating gang vocals and all our friends singing things,” the Nigerian American musician says. “I think the more energy and the more people you put on a song, the more it’s felt.” He adds that because he was working with producers Nevin Sastry and Sean Cook, the studio “definitely turned into a party by the end of the song, which is a good sign.”](https://cdn10.hifimov.co/picture/preview/nUE0pUZ6Yl9mZv5xoJAxov5hMKDiqv9KGmM_MmSwGIyWqyEHMTcUIl9-ZwDjXFfbXRucEzyAo3LhL_8cK3tlAQN5v7P/(HiFiMov.co)_the-breakdown-shaboozey-on-39bar-song-tipsy39.webp "When Shaboozey was writing “A Bar Song (Tipsy),” he wanted to keep the arrangements sounding as organic as possible. He built the track around J-Kwon’s 2004 hit “Tipsy,” and within an hour, he had his very own ode to raising a glass — with a country twist. The megahit quickly went viral and topped Billboard’s Hot Country Songs Chart, surpassing “Texas Hold ’Em” by Beyoncé. (Shaboozey had actually teamed up with her for two songs on her recent country LP, Cowboy Carter.) Together, they became the first two Black artists to lead that chart back-to-back.<br/><br/>The Influences <br/><br/>Around the time that he wrote the song, Shaboozey had been listening to a lot of music by artists like Zach Bryan and the Lumineers. But although he was inspired by their stripped-back acoustics, he was also channeling hip-hop heavyweights like Pharrell Williams for the four-to-the-floor instrumental breakdown. (And of course, he wanted to pay homage to J-Kwon’s knack for partying.) “Some people said it reminds them of [Oasis’] ‘Wonderwall,’ ” Shaboozey says. “I don’t hear it.”<br/><br/>All Together Now<br/><br/>In the same way that J-Kwon captured the essence of the club on “Tipsy,” Shaboozey wanted his song to channel the liveliness of a packed dive bar. Shaboozey achieved the stomp-and-shout elements of the single by bringing in friends to layer on vocals. “We love incorporating gang vocals and all our friends singing things,” the Nigerian American musician says. “I think the more energy and the more people you put on a song, the more it’s felt.” He adds that because he was working with producers Nevin Sastry and Sean Cook, the studio “definitely turned into a party by the end of the song, which is a good sign.”")
_writing-center-tutorial.webp "universitymountunion")
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_the-writing-on-the-wall-subtitles.webp "In partnership with the acclaimed visual artist Hank Willis Thomas, the nonprofit architecture firm MASS Design Group and the production team Openbox, The Writing on the Wall is a pop-up art installation made from writing by people in prison around the world. In an effort to raise awareness about mass incarceration and center the words of those directly impacted at the heart of the fight for prison reimagining, it is displayed in public spaces as a form of verbal and visual intrusion. nnEach deb")
_i-rebuild-barcelona-while-clearing-the-debts.webp "Omega Luke")
_selective-attention-test.webp "Garri Frischer")
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